Play-by-post role-playing game — Not to be confused with Play by Mail game. An example of an online PbP role-playing game A Play by Post Game (PbP) is a text-based online role-playing game. This is a niche area of the online role-playing community that caters to both gamers and . Wikipedia What needs to change, however, is the language in which the plays are spoken. “We probably need to find a better term for parts that we feel conventional and safe,” Featherstone suggests. Or, says Whyman, we need “a new vocabulary to talk about someone`s architecture, or the rigor of it, but also skillful focus, which you especially need when you`re asking an audience to go in directions they didn`t expect. It`s a skill and a craft that I`m not sure we should be talking about. At the same time, Whyman believes that the process of developing work needs to change, because: “The whole way we decide if a play is ready for the stage is outdated and useless. It`s a great tool that you can send an article to someone and they say it`s great, we should do it: but if they can`t see what you think is brilliant, you need another way to talk about it. Perhaps then we will reach the stage where the phrase “well-made game,” as Stephens puts it, is nothing more and nothing less than “a game well made – and that could look like absolutely anything.” Featherstone uses something of the same language to describe the pieces that inspire him: “These are offers for the audience, for the performance.” This offer is difficult to see on paper, she admits, “because often the work can be quite subliminal: you have to commit to it to understand it.” Not that she prioritizes understanding: on the contrary, she is attracted to work that she does not immediately understand and wants to “feel surprised and smaller than what I read”. Indeed, she wants to be challenged – and that is why she believes there is no well-made piece in Scribe and Robertson`s understanding of the term today. The piece well made in its historical period, from the beginning of the 19th century to the middle of the 20th century. He wanted to disturb his audience and, by showing the characters, especially the female characters, could easily transgress the codes of conduct that both expressed and defined morality at that time.
“No story told in this form will ever bother an audience in the same way,” Featherstone says. “Even if the issue is shameful or difficult in any way for civil society, it feels safe because of the conventional structure. What bothers us now is form: we don`t know where something that plays with form leads, so it disturbs us. In the structure of the well-done play, three technical terms are often used: “Not so long ago I was talking to a group of young British playwrights about theatre and playwriting in general. The term “well-made piece” appeared, as it will be, in a pejorative sense, and suddenly one of them said: “Think about it, why shouldn`t a piece be well made? What`s wrong with that? What indeed. And yet, the phrase, which obviously seems to be a compliment, is almost invariably used as an insult in modern criticism. In the work of poet and playwright Inua Ellams, this can sound like anything from expansive poetic monologue (The 14th Tale) to global interactions between men and their hairdressers (Barbershop Chronicles). And yet, Ellams considers himself “very traditional,” focused on the fundamental questions: “Who do I care, why should I care, and what difficulties are they going through?” For him, the game well done is a tool at his service and not the other way around. Or, to abruptly change the metaphor, the question he asks himself is, “How can I put this glove in my hand? Unlike this is a shiny glove, I will write a piece that suits him. — [mād] vt., vi. pt. & pp.
built by MAKE1 adj. 1.; Shape; formed [a well-made piece] 2. artificially produced [from land, from the filling of a swamp] 3. invented; invented [a word made] 4 . English World Dictionary Before I can answer this question, maybe I should do it like Taylor and find out which piece is well made. But instead of repeating the arguments from his book, which examines in detail the work of British playwrights from the 1870s to the 1950s, I spoke to 12 people who work in theatre today, as playwrights, directors, playwrights, critics and producers, and asked them. Fascinatingly, the responses show that if expression implies something culturally and critically, it can mean something very different to many theatre creators. Shaw was meant to denigrate those he imitated, such as Scribe and Gilbert,[39] writing, “Who was Scribe to dictate to me or anyone else how a play should be written?” [27] Shaw was particularly dismissive of Sardou because he focused on plot rather than character or ideas—”Sardoodledom,” as Shaw called him—but he nevertheless used established techniques to convey his own didactic ideas, as he admitted in his preface to Three Plays for Puritans (1900), nearly 40 years after Scribe`s death.
[27] In a study for the Modern Language Association, Milton Crane ranks Pygmalion, Man and Superman and The Doctor`s Dilemma among Shaw`s plays as “well done.” [40] This is what John Russell Taylor wrote in the introduction to his book The Rise & Fall of the Well-Made Play, in which he summarized a 21st century concern, although he looked no further than 1967, the year his book was published. So much has changed over the past five decades, not only in terms of theatrical creation, but also in the way participatory relationships he seeks with his audience. And yet, plays continue to be written – or written – by individual playwrights, and as long as they do, this phrase “well done” remains in the background. This is a provocation in the sense of mockery, since even Michael Billington, the critic most likely to use the words “game well done” with admiration, admits that there is something “dirty” in the sentence suggesting an “outdated formula of the 19th century”. But it is also a provocation in the sense of stimulation or inspiration: because why do we go to the theatre, if not to see a play – or, to cast the net further, a performance or a production – that is at least well done? “Well done game Merriam-Webster.com Dictionary, Merriam-Webster, www.merriam-webster.com/dictionary/well-made%20play. Retrieved 2 December 2022. That`s what`s interesting about what the words “well-made game” mean: there`s nothing fundamentally wrong with drama adhering to certain structural guidelines, the problem is where it affects taste. Or is it really so innocent? For Housley, the problem with the well-made play lies in the notion of “neutrality” inherent in what it presents as “naturalism and realism” – which in reality is neither natural nor realistic, because “if you wrote a play as people talk, it would be really boring”. She sees “an idea of purity in the well-made piece that is dangerous: there is a right way to do things, and if you do it differently, you are either wild or you are wrong.” The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre of nineteenth-century theatre, first codified by the French playwright Eugène Scribe.
